Masters of Arts U of O English Litertaure Receive Funding?

Graduate written report in English at the University of Oregon includes traditional literary history and textual study, equally well as coursework in critical theory, indigenous literatures, gender studies, cultural studies, rhetoric and limerick, postcolonial studies, ecocriticism, folklore, movie and television, and popular civilization.

Students in the MA Plan may pursue a traditional chief of arts degree emphasizing any of these fields. Students in the PhD programme may pursue a traditional doctoral course of study in whatsoever of these fields OR may tailor their coursework and independent research by enrolling in ane of several "Structured Emphases," which reflect the Department'south strengths in the areas of Ethnic American Literary Studies, Film and Media Studies, Sociology, Literature and the Environs, Medieval Studies, Poetry and Poetics, and Rhetoric and Composition.

Special annotation for applicants interested in specializing in film, television set, and/or media: MA and PhD students working in these fields take courses and work with faculty in both the English and Movie house Studies departments. MAs and PhDs in motion picture or television are administratively housed in English language, only faculty in field are found in both departments – see the many Cinema Studies faculty here. Motion-picture show and television set studies PhD students will receive instructor grooming in both units just will do much of their didactics in Movie theatre Studies. Too check out University of Oregon's graduate certificate in New Media and Culture!

For complete information virtually the program and how to utilise, explore the links to the correct.

☞  The Graduate School has issued temporary changes for Winter/Bound 2020 in response to the COVID-19 pandemic.

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Graduate News

Our graduate programs equip students to produce creative, critical, social justice-informed work during and after their degree programs. Beneath are contempo examples of the strong projects our students are undertaking.

Cassandra Galentine Awarded a CSWS Research Grant

Cassandra Galentine, a Doctoral Candidate in the English Department,  was recently awarded a 2021-2022 CSWS Research Grant for her intersectional work on the material conditions of poverty and the resulting racial discourses of hygiene in U.S. women's working-class literature. Galentine'south project argues that the reading of dingy materials similar dirt, dust, and garbage and the resulting discourses of hygiene are an environmental justice upshot wherein the responsibility and burden of ecology harm is shifted to its victims through racial commercialism. Her analysis of works past Anizia Yezierska, Sanora Babb, Ann Petry, and Alice Childress explores how women inside these texts resist "gendered imperatives of hygiene" by embracing dirty textile. Galentine's analysis farther insists that such resistances reveal the "limits of liberal individualism," in plow "refocus[ing] blame on the structures of injustice." Ultimately, her work argues that dirt "becomes a fundamental material through which these women defy the synthetic borders of gender, the trunk, the individual sphere, and the nation."

(Read more well-nigh Cassandra here)

Lisa Fink Awarded an Oregon Humanities Center Fellowship

Lisa Fink, a PhD Candidate in Environmental Sciences, Studies, and Policy, has been awarded an Oregon Humanities Center Fellowship for her dissertation projection "Unsettled Ecologies: Alienated Species, Ethnic Restoration, and U.Southward. Empire in a Fourth dimension of Climate Chaos." Fink'due south work "traces environmental thinking almost invasive species from Western/colonial, Indigenous, and anti-imperialist perspectives within the context of settler colonialism, immigration, and climate change." The inherent promise of Fink's project proposes a more than capacious and ethic politics past considering both homo and other-than-man beings in a world marked by increasingly unstable climatic and economical conditions. When asked virtually the scope and stakes of her work, Fink answered that her inquiry "enters the thorny loonshit of 'incommensurability' between Native American and immigrant organizing, pointed out past Eve Tuck and Grand. Wayne Yang, in guild to think with other scholars virtually opportunities for advancing both groups' objectives."

(Read more about Lisa here)

Teresa Hernandez Awarded a CSWS Enquiry Grant

Teresa Hernádez, a Doctoral Candidate and first-generation higher educatee in the English Department, has been awarded a 2021-2022 CSWS Inquiry Grant for her transdisciplinary work within critical border feminist and Chicanx nationalist discourses. Her dissertation, "Contested Motherlands," is invested in the future of Chicanx and Latinx literary studies through a new spatial imaginary wherein she examines "the overlapping and contentious geopolitical spatializations in Mexican and Mexican American literature and cultural studies." Hernández's work interrogates intersections of sovereignties and nationalisms, challenging current definitions of decolonization and border feminisms. In a cocky-assay of the stakes of her work, Hernández humbly suggests that while her piece of work cannot "correct the violence committed in the name of nationalism in the fields of Chicanx and Latinx literary studies," she does encounter the concluding realization of her piece of work every bit "one that begins with admission and ends with possibility."

(Read more about Teresa here)

Gina Filo has been named the 2019-2020 College of Arts and Sciences Dissertation Swain for her explorations of sexual activity and self in early on modern England.

Filo's project, "Sexuality and the Contours of the Self in Early Modernistic English Poetry," analyzes how early modern poets such as William Shakespeare, John Donne, Andrew Marvell, Richard Crashaw, Robert Herrick, and Thomas Traherne utilize sex and eroticism to reimagine the human relationship between body and self.

Filo observes that, in early on mod England, sex was deemed "highly destabilizing to the invidual in both physical and psychological ways." Scholars accept generally argued that poets were broken-hearted nearly this instability and used their verse to maintain the identity categories that sex would seem to deconstruct. But Filo sheds light on the means that early modern poets reveled in sex and the idea of a less-than-stable self:

In this project, I show that the poetry of Shakespeare, Donne, Marvell, Herrick, Crashaw, and Traherne ... embraces, rather than rejects, the anything of cocky and category (similar gender and the human) that sexual activity brings nearly. I show how these poets articulate new varieties of pleasure, diffuse and unstable forms of selfhood, and non-normative models of self-other relations that operate outside of conventional power hierarchies - and demonstrate that, far from being broken-hearted, they take pleasure (intellectual, imaginative, and erotic) in and so doing.

Analyzing these alternative ideas most sexual pleasure, Filo adds, can give modern readers ways to rethink how "natural" their sexual practices and ideologies are:

This period [1485-1685] is posed just before the consolidation of both mod identity-based models of sexuality and the ideal of companionate heteroerotic marriage, both of which are so naturalized as to be coercive in the way nosotros understand sex today. As such, the exploration of alternate, unstable forms of pleasure and eroticism in the period gives a sense of the what-might-accept-been, one that is quite dissimilar than the what-is.

UO's Center for the Study of Women in Lodge (CSWS) awards Celeste Reeb the 2019-2020 Jane Grant Dissertation Fellowship

Reeb's "Captions: Reading between the Lines" is a provocative dissertation that explores the intersections of gender and closed captioning in American movie and tv set. The project extends Reeb's research in audio studies, audience reception, and film and new media.

Stephanie Mastrostefano and Carmel Ohman land CSWS Enquiry Grants

Mastrostefano has won a CSWS Graduate Research Grant for "Manufacturing Race at 24 Frames per Second: Artistic Phonation at the Intersection of Disney Animation and Audition." Mastrostefano's research interests include gimmicky American pop culture, film and media studies, children'south studies, women'southward and gender studies, and feminist studies.

Ohman has besides won a CSWS Research Grant for "Beyond Binary Consent: Sex, Ability, and Embodied Performance in U.South. Black Feminist Novels and T.5., 1975-2018." Currently a Doctoral Fellow for the Social Sciences and Humanities Inquiry Quango (Canada), Ohman works in twentieth- and twenty-first-century American literatures; race and indigenous studies; women's, gender, and sexuality studies; visual culture; literature and the environment; and rhetoric and composition.

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Source: https://english.uoregon.edu/graduate

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